Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.

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杰拉尔达（Geralda）的父亲被送进了医院，随时都可能离世。这种痛苦的等待促使她与三个姐妹进行了一次交流，自母亲去世后，她们已经很久没有见过面了。

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At the National Congress, a project of law intends to give an end to the scholar time break. At the same time, in a public school of Curitiba, a group of children finds a video camera and starts recording a sort of documentary, with many children statements about the importance of the school time break.

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The existential crisis of the image haunting humanity.

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A young girl escapes the boredom of a small town existence in the 1930s.